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Blige wears on the cover of “My Life” she’s sitting in the sunlight pouring through a living-room window, and she glances offscreen to her left when she mentions her boyfriend of several years, Dave Watson, a musician and producer with whom she recorded the heartbroken “Lost One,” about a woman taking the blame for blowing up a relationship. Sullivan says the album is “about understanding that we all have a story, and that story is important, and it’s OK for you to tell it exactly the way it is.” The Philly native who grew up singing in church has on a cream-colored sweater and a matching leather newsboy cap like the one Mary J. H.E.R., who recently joined Sullivan for an NPR Tiny Desk Concert that drew more than a million views in its first three days on YouTube, says “Heaux Tales” argues that “there is no mold of what a woman should be, which is something that’s not preached on enough.” (Lennox also delivers the album’s most memorable testimonial, describing the effect of sex so good it “spoke life into me - invigoration, blessings, soul.”) in “ Girl Like Me,” a guitar-driven number in which Sullivan sings about creating a Tinder profile after being dumped, and Ari Lennox in “ On It,” a delightfully frank slow jam demanding physical satisfaction.
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Two more of Sullivan’s inheritors turn up for duets on “Heaux Tales”: H.E.R. The album also arrives in the midst of what feels like a Jazmine Sullivan moment: Late last year, Megan Thee Stallion prominently sampled Sullivan’s decade-old “Holding You Down (Goin’ in Circles)” for a track on her hit debut, while younger R&B stars such as Summer Walker and Ella Mai have broken out with music that shows the clear if quiet influence of her atmospheric sound and her piercing lyricism. Sullivan’s long-anticipated follow-up to 2015’s “Reality Show,” which earned three Grammy nominations, “Heaux Tales” is only the fourth LP since 2008 from an artist famous for taking her time even as streaming has greatly accelerated the music industry’s pace. “I have always been extremely inclusive without even trying,” Lana Del Rey says about “Chemtrails Over the Country Club” album art. More Lana Del Rey drama ensues after her diversity comments about new album art But when people respond to my writing, to the emotion in my music, that means way more to me.” “If the run is super-duper-amazing, I’ll recognize that. “To be honest, when I do runs, it’s by accident - it’s a natural habit because I’ve been doing it for so long.” Sometimes, she says, she wonders if she oversings. “It’s not that big of a deal,” she replies in a video call from her home near Philadelphia. Eventually, Sullivan herself chimed in, posting a how-to video on Instagram that despite her good-faith effort only made the run sound more difficult.įour months later, Sullivan, 33, laughs when asked how gratified she is by all the admiration for her signature vocal acrobatics. Results ran the gamut from oh-that’s-cute to you- almost-had-it, but nobody could quite master the churchy riff. The viral undertaking had participants doing their best to nail an intricate vocal run from Sullivan’s 2017 single “ Insecure” in which the soul singer with a gospel background glides down the scale with seemingly effortless precision.
#Jazmine sullivan insecure challenge crack#
In mid-September as COVID-19’s shutdown of live music hit the six-month mark - and as the wait for a new album by Jazmine Sullivan approached six years - hungry R&B fans took to social media for a crack at the #insecurechallenge.